Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Engler, Klaus | Georg Poelchau und seine Musikaliensammlung. Ein Beitrag zur Überlieferung Bachscher Musik im 19. Jahrhundert. |
diss. |
| | 1970 |
|
|
| 2. | Schaeffer, John Gerhardt | The Influence of the Late Baroque Instrumental Concerto on Bach's Free Forms for Organ and Clavier. |
diss. |
| | 1970 |
|
|
| 3. | Gillingham, B. R. | J. C. Bach's third set of keyboard concertos: a socio-musical study. |
diss. |
| | 1970 |
|
|
| 4. | Gerstung, Denman Wayne | Performance Practice of Multiple Stops in the Sonatas and Partitas for Unaccompanied Violin of J.S. Bach. |
diss. |
| | 1970 |
|
|
| 5. | Jones, Anita Joyce Gilstrap | A survey of organ works based on the motive B-A-C-H. |
diss. |
| | 1970 |
106p |
|
| 6. | Alleln, Horst | Das Verhältnis Musik-Mathematik bei Johannes Kepler. Ein Beitrag zur Musiktheorie des frühen 17 Jahrhunderts. |
diss. |
| | 1970 |
128p |
|
| 7. | Pribyl, Lieselotte | Das Phänomen der atonikalen Werkeröffnung in der Klaviermusik von Ph. E. Bach bis R. Schumann. |
diss. |
| | 1970 |
155; 178; 273p |
|
| 8. | Waterman, Muriel Moore | The double keyboard concertos of Carl Philipp Emanuel Bach. |
diss. |
| | 1970 |
173p |
|
| 9. | Lenz, Christfried | Studien zur Satztechnik Bachs. Untersuchung einiger vom Erscheinungsbild der Vokalpolyphonie geprägter Kompositionen. |
diss. |
| | 1970 |
181p |
|
| 10. | Day, Thomas Charles | Palestrina in history: a preliminary study of Palestrina's reputation and influence since his death. |
diss. |
| | 1970 |
201p |
|
| 11. | Lutz, Lorna Kay | Friedrich Wilhelm Franke--seine Bedeutung in der Kirchenmusik. |
diss. |
| | 1970 |
202p |
|
| 12. | Heimann, Walter | Der Generalbaß-Satz und seine Rolle in Bachs Choralsatz. |
diss. |
| | 1970 |
278p |
|
| 13. | Sragow, Ruth LaPorte | The harmonic circle-of-fifths technique in late-Baroque and Classic orchestral music: a comparison. |
diss. |
| | 1970 |
284p |
|
| 14. | Chase, Harriet Ruth | German, Italian and Dutch Fugal Precursor of the Fugues in the Well-tempered Clavier I. 1600-1722. |
diss. |
| | 1970 |
293p |
|
| 15. | Milka, Anatolij Pavloviè | Funkcional'nost' muzykal'noj struktury i dinamika strukturnogo razvitija v sjuitach I. S. Bacha. |
diss. |
| | 1970 |
333p |
|
| 16. | Brown, Charles S. | The art of chorale-preluding and chorale accompaniment as presented in Kittel's Der angehende praktische Organist. |
diss. |
| | 1970 |
350, 230p |
|
| 17. | Kellar, Allan Dean | The Hamburg Bach: Carl Philipp Emanuel Bach as Choral Composer. |
diss. |
| | 1970 |
353p |
|
| 18. | Schleuning, Peter | Die Freie Fantasie. Ein Beitrag zur Erforschung der Klaviermusik des 18. Jahrhunderts. |
diss. |
| | 1970 |
400p |
|
| 19. | Weeks, William B. | The use of the chorale in the organ works of Ernst Pepping. |
diss. |
| | 1970 |
80p |
|
| 20. | Sollenberger, Elizabeth Travis | A Graded Analysis of the Organ Preludes and Fugues of Johann Sebastian Bach for Teachers and Students Providing a Compendium of Increasingly Difficult Performance Problems. |
diss. |
| | 1970 |
88p |
|
| 21. | Rose, Juanelva M. | The Harmonic Idiom of the Keyboard Works of C. P. E. Bach. |
diss. |
| | 1970 |
xii, 289p |
|
| 22. | Hammitt, Jackson Lewis, III | Sacred music in Berlin, 1740 to 1786. |
diss. |
| | 1970 |
xvii, 280p |
|